One thing that comes up when studying the works of people like Myamoto Musashi or Yagyu Munenori is that their focus was not on proper technique, but on what would give them the upper hand in achieving their goals...Victory.
It always started with strategy, the circumstances would determine the proper tactics, the goal being to control the circumstances in order to remain several steps ahead of their opponents.
They understood, via experience, what it took and, quite often it was a messy ordeal that required more of a savage, yet strategic, sort of mindset rather than perfect technique.
One would be hard pressed to find this sort of person in a modern Dojo prancing around in clean white go working requirements for their next colored piece of cloth... These sort of things carry little meaning for someone that has been in situations where they actually have to fight, tooth and nail, for their next breath.
There are exceptions, of course, but generally arts like Karate have become nothing more than a peculiar pastime where students march up and down a floor in neatly pressed Gi punching and kicking air or playing games of tag with one another calling it Kumite.
Most times, if one were to ask about the strategy of a given Karate School, no practitioner would be able to give a straight answer, let alone how tactics within each Kata outline specific strategy of said Kata not how these outline the school’s overall strategy.
There are some out there who can, but overall there is very little written on it as far as Karate is concerned and most get their strategic education from Japanese Swordsmen, which is not necessarily the same thing (although these can yield some insight into how one should think strategically).
Some study Judo in order to better understand, some study Kendo, some study Jujitsu, all of which are great additions to a core art, but one has to remember that Karate is Karate and all of these have different approaches to achieve different strategic ends, albeit with SOME overlap.
Yes one can say that the end is victory, but in a strategic mindset the way to victory is dependent on the moment, this is true, but understanding tactics provides a clear picture of what one needs to do should a situation change in a certain way.
Ultimately none of these matter when all is said and done, one has to abandon the idea of schools and styles in the heat of the moment otherwise become bogged down and overloaded.
The point of understanding tactics and strategy is not to be mired in the mess of Tradition, but to know something so deep that it no longer requires conscious thinking, it is part of you and you know how and when to deviate from one method to another without having to think or assess.
Shu is where we start, Ha is where we learn, Ri is where we get savage and break away from all of it and apply.
In Karate we are not following this and most methods are actually counter productive when it comes to fostering this mindset - we have lost our way in the name of preserving Tradition, becoming even more lost when our minds are more set in an ‘us’ versus ‘them’ attitude.
Do we really even know why something is done a specific way when we say ‘this is how WE do that?’ Doubtful.
It is nothing more than a story we tell ourselves in order to defend our own position because it makes us feel great to be part of a Tradition.
Ego stroking aside, when we have to defend ourselves or our families our assailants are not going to care.
What does each Kata bring to the table? What are they each trying to tell us? Which Kata show us how to enter? Which show us how to respond if a person does a specific thing to counter? Where does Kata lack in vital information and where do we find that information in order to make up for what is lacking?
Karateka of old were not static in their approach and they did not name techniques the way they are named now.
They had descriptions like ‘man carries water’ to describe specific principles and there was no one proper way to employ these principles because everyone is different and plans never survive their implementation when the rubber hits the road.
One has to continuously analyze (Bunkai) in order to apply (Oyo) while being prepared to vary (Henka) when an opponent does something not necessarily expected.
The overall strategy remains the same, the tactics employed are not altogether changed, in essence, but in application and there will be NOTHING pretty or stylized about any of it.
What are the strategies of Goju Ryu? Does it matter? Strategic thinking does, strategic awareness does, but the school does not.
If you are primarily a thrower then you are going to employ tactics to that end and any striking you utilize will support that, this is where it ends.
Karate is, primarily, about striking, any other aspect is in support of that or secondary to it.
However, such a statement is too much of a blanket statement and does not account for the individual, whom will ultimately come to their own understanding through training and experience.
This should be encouraged. To show the strategy and use this as a point of departure down the path of true self discovery and actualization, where strategic thinking permeates all aspects of life.
Monday, December 24, 2018
Saturday, December 1, 2018
Context, Concept, and Mechanics.
When we finally get beyond ways of thinking and training that are set in concrete standards of classification and can get beyond any sort of stylistic notions we may truly begin to find what is useful within what we are doing.
Approaching from a conceptual standpoint, with an open mind, yet grounded in context with respect to basic laws of motion nd the focus/intent behind each within said context will do FAR more for understanding than approaching from a technique oriented mindset for the sake of technique and style preservation alone.
Because 'Sensei says' is far too often a mantra in Dojo that purport to teach self -defense and this really does a disservice to students who leave thinking they have any understanding at all when no real explanation has been given... No real instruction has been rendered.
Going through mindless repetitions of choreographed drills only does so much and really only shows that one can memorize choreographed drills.
When these drills become more important than actual skill you can rest assured that you are no longer studying a self-defense oriented system.
Are we thinking about the mechanics behind what we are told is a punch or are we just accepting this at face value?
Look at a punch in context, what does an effective punch look like? We would be drawn more towards boxing style punches as effective and start to realize what we are doing is not necessarily inclusive of effective punching mechanics.
This is true of we are only taking certain aspects into account, forgetting the chamber hand, body alignment, and footwork, nevermind the formation of the fist, which can also seem like a grip.
Context, concept, and mechanics are more important than rote memorization of technique names and choreographed drills.
As Karateka we need to get out of this trap and start growing in order to make Karate what it once was.
Approaching from a conceptual standpoint, with an open mind, yet grounded in context with respect to basic laws of motion nd the focus/intent behind each within said context will do FAR more for understanding than approaching from a technique oriented mindset for the sake of technique and style preservation alone.
Because 'Sensei says' is far too often a mantra in Dojo that purport to teach self -defense and this really does a disservice to students who leave thinking they have any understanding at all when no real explanation has been given... No real instruction has been rendered.
Going through mindless repetitions of choreographed drills only does so much and really only shows that one can memorize choreographed drills.
When these drills become more important than actual skill you can rest assured that you are no longer studying a self-defense oriented system.
Are we thinking about the mechanics behind what we are told is a punch or are we just accepting this at face value?
Look at a punch in context, what does an effective punch look like? We would be drawn more towards boxing style punches as effective and start to realize what we are doing is not necessarily inclusive of effective punching mechanics.
This is true of we are only taking certain aspects into account, forgetting the chamber hand, body alignment, and footwork, nevermind the formation of the fist, which can also seem like a grip.
Context, concept, and mechanics are more important than rote memorization of technique names and choreographed drills.
As Karateka we need to get out of this trap and start growing in order to make Karate what it once was.
Tuesday, November 13, 2018
Building Bridges between Chaos and Order.
I have been absent from writing here for a while as I took some time to think, learn, and grow in the wake of Shihan Roseberry's death.
My practice has continued, my teaching has continued; these last few weeks have been full of insights as far as Karate is concerned as well as life in general.
To start off I would like to just dive right in...
Life is seldom neat, life is seldom orderly or categorized. Each person walks their own way, at their own pace, with their own attitude.
Why should there EVER be a one size fits all approach to anything? What does it mean to do something correct? Why is THAT way correct and THIS way incorrect? Yes, there are universal principles across the board because we all have two arms, two legs, one head, a neck, and a torso, but it gets complicated after that.
Do we seek to be defined by what we do or do we seek to define what we do by who we actually are? Who are you? Do you even know?
When training, do we think of Jodan Uke as a block or as something else? Why? Is it because we are told this is how it is based on what we have come to call it? How did this come about?
In a time, not long ago, there were no names, no techniques, just principles, and they had variations from person to person based on things like body type, taking into account injuries or other sort of mobility limitations.
In short, things were not so neatly packaged in a commercially branded box for consumption by all with the actual meaning of things completely lost, but not forgotten.
Yes, the path does have to begin somewhere. Yes, there IS a proper way to do things and YES learning at the feet of a Teacher IS REQUIRED (you cannot just pick this stuff up on Youtube or via Video at any given time and actually think you are following the way).
HOWEVER, that being said, do we continue to walk a rigid cobble-stone path or do we take what we learn and dive deep within ourselves to learn what is there? Do we even know how to do this? There are some that do and, giving respect where it is due, we can learn A LOT from people who spend their time focusing on principles in ROLLING practice utilized in Brazilian Jujitsu, among other arts.
Keep it simple. Keep it practical. These are the words of Shihan Roseberry. Do we simply mouth the words as a Mantra we do not fully understand or even practice or do we put those words into practice as actual principles to live by?
The idea is to actually forge ahead, to grow, to meet yourself at every turn, to overcome that and become better, to incorporate what is there, to brave the chaos inside in order to bring out the best of ALL aspects of yourself.
Not simply to carry on a cookie-cutter Tradition, a dead Tradition is not a Tradition at all. It is simply going through the motions.
A couple things to impliment...
1) Forget the names of techniques or stances and zero in on the principles behind them, not just looking at one single aspect (ie; the arm), but taking the WHOLE BODY into account and really digging deep into those mechanics (Taisabaki).
2) Implement a practice that forces you to move without thinking, see how you respond and start to put things together in a Kata that is YOUR Kata. Utilize other Kata as Teaching aids, guides for proper movement and function. Gage your progress by how you respond spontaneously and whether or not it is in-line with what Kata and your Teacher have been teaching you.
3) Utilize your heart and mind as one. Practice bag work, utilize your heart and mind in each strike so that each strike can be a knock-out strike. Each movement can be devastating.
This is nothing new. This is nothing special. It is just getting back to the roots of what we actually do, at least in my own opinion, based on my own observations in regards to the state of things both within myself and in others.
Take it for what it is or leave it. The choice is yours.
My practice has continued, my teaching has continued; these last few weeks have been full of insights as far as Karate is concerned as well as life in general.
To start off I would like to just dive right in...
Life is seldom neat, life is seldom orderly or categorized. Each person walks their own way, at their own pace, with their own attitude.
Why should there EVER be a one size fits all approach to anything? What does it mean to do something correct? Why is THAT way correct and THIS way incorrect? Yes, there are universal principles across the board because we all have two arms, two legs, one head, a neck, and a torso, but it gets complicated after that.
Do we seek to be defined by what we do or do we seek to define what we do by who we actually are? Who are you? Do you even know?
When training, do we think of Jodan Uke as a block or as something else? Why? Is it because we are told this is how it is based on what we have come to call it? How did this come about?
In a time, not long ago, there were no names, no techniques, just principles, and they had variations from person to person based on things like body type, taking into account injuries or other sort of mobility limitations.
In short, things were not so neatly packaged in a commercially branded box for consumption by all with the actual meaning of things completely lost, but not forgotten.
Yes, the path does have to begin somewhere. Yes, there IS a proper way to do things and YES learning at the feet of a Teacher IS REQUIRED (you cannot just pick this stuff up on Youtube or via Video at any given time and actually think you are following the way).
HOWEVER, that being said, do we continue to walk a rigid cobble-stone path or do we take what we learn and dive deep within ourselves to learn what is there? Do we even know how to do this? There are some that do and, giving respect where it is due, we can learn A LOT from people who spend their time focusing on principles in ROLLING practice utilized in Brazilian Jujitsu, among other arts.
Keep it simple. Keep it practical. These are the words of Shihan Roseberry. Do we simply mouth the words as a Mantra we do not fully understand or even practice or do we put those words into practice as actual principles to live by?
The idea is to actually forge ahead, to grow, to meet yourself at every turn, to overcome that and become better, to incorporate what is there, to brave the chaos inside in order to bring out the best of ALL aspects of yourself.
Not simply to carry on a cookie-cutter Tradition, a dead Tradition is not a Tradition at all. It is simply going through the motions.
A couple things to impliment...
1) Forget the names of techniques or stances and zero in on the principles behind them, not just looking at one single aspect (ie; the arm), but taking the WHOLE BODY into account and really digging deep into those mechanics (Taisabaki).
2) Implement a practice that forces you to move without thinking, see how you respond and start to put things together in a Kata that is YOUR Kata. Utilize other Kata as Teaching aids, guides for proper movement and function. Gage your progress by how you respond spontaneously and whether or not it is in-line with what Kata and your Teacher have been teaching you.
3) Utilize your heart and mind as one. Practice bag work, utilize your heart and mind in each strike so that each strike can be a knock-out strike. Each movement can be devastating.
This is nothing new. This is nothing special. It is just getting back to the roots of what we actually do, at least in my own opinion, based on my own observations in regards to the state of things both within myself and in others.
Take it for what it is or leave it. The choice is yours.
Sunday, September 30, 2018
Blunt Force Trauma.
If one does not begin their training until later in life can they make a claim that someone is their lifelong Teacher? If they had spent their time speaking very unflatteringly of their Teacher and others within their lineage, in private, would they be able to claim themselves as true to a teaching they claim someone else is also not following?
If some central tenants of a Teaching are to 'keep a disciplined mind' would it be considered a breach of that teaching for someone to freak out over something trivial and to behave in a manner unbecoming someone within a school that touts Courtesy and Manners as part of its' school name and central teaching?
There have been many unflattering things said in private, while presenting a different face in public, although most seem aware of a certain loss of trust and a certain pencheant for the dramatic on the part of the other party.
Certainly aware of the artful embellishments of this party when they write out what they have to say.
A person that can, like a chameleon, move from circle to circle and insinuate themselves into things with skilful use of words, charisma, a skill for making connections with people, sometimes at the expense of other people.
It is a wonder they ever had the trust of their Teacher at all, for the face they present in public is different for each circle and FAR different than the face that is presented in private.
I suppose that is par for the course, however, it is best to be wary of people like these, for they are only out for their own gain and will stop at nothing to gain at the expense of those around them.
They will place themselves in positions of high esteem with a lot of pull and use that pull to do whatever is best for them, they will make threats, they will also follow through with some of those threats if it benefits them to do so, sometimes it doesn't and they will switch strategies.
One person I know if likes to talk a big game, they sometimes put down the skill of others, even though they barely had any skill of their own when they COULD actually train.
They are great with words, and therein lay the possible reason they did not have the full trust of their Teacher and the reason they barely spoke. This person was only continuing with their partnership because it was an investment, not because they actually cared or acted in the same spirit as a man who would often place the wellfare of others above everything else.
Some within the Dojo could not afford dues and were feeling that they could no longer train because, unlike their Teacher, this person was more business minded and less compassionate.
A lot of talk and zero follow-through in regards to ANY of the central Teachings, with even less skill in ANY of the aspects of training on the floor.
It is a shame that these types are even able to make it through the door, but again, anyone can step on the floor, not everyone can actually walk the path laid out before them.
That is all.
Common Sense.
There are cults in the Martial Arts; personality cults around which small followings grow in which worship is in the form of someone presenting themselves as having something others do not... The one true way.
This tends to appeal to that part of the psyche that needs to feel special, privy to information no one else has, part of something greater than the self, and this is normal human behavior, but it is a huge flaw, a weakness upon which these sorts of people prey.
Certainly they may not make any money at these things, but it does make them feel greater than they actually are, charimsatic attention seekers that they are, they really cannot help themselves and, more often than not, will never recognize that there is a problem (believing their own stories so whole heartedly that, even when they are shown the truth, they have justifications ready to reinforce the story when it is shattered).
There is NO one true way. A correct and original way are not the same thing and what is correct for one person is not necessarily correct for another.
There is NO pure way, each walks the path in their own way, this is why variations pop up, sometimes from the Teacher, sometimes from insight, but no one EVER does things EXACTLY as their Teachers have done, it is simply not possible.
One can usually tell when someone else is a part of something like this, they make claims, they argue against someone else's claims with their own claims, but they seldom actually back up those claims, simply saying things like, 'If only you knew who I knew.'
Basically a cop-out, but they reinforce their own story in their heads this way and do not elaborate further.
My advice? Stay away from groups like this and, if your curiosity gets the better of you, keep a reasonable mind about your shoulders, remain a true skeptic, take what is useful and remain honest about the rest, do NOT give your mind and heart over to these people.
Often they speak very well, they have stories they share, most of which are embellished, but in the end, none of them really have any idea what they are talking about and, when one looks more closely at the information they provide they will find gaping holes... Heed these red flags.
Stay safe in your practice. The best self defense is simply having common sense.
This tends to appeal to that part of the psyche that needs to feel special, privy to information no one else has, part of something greater than the self, and this is normal human behavior, but it is a huge flaw, a weakness upon which these sorts of people prey.
Certainly they may not make any money at these things, but it does make them feel greater than they actually are, charimsatic attention seekers that they are, they really cannot help themselves and, more often than not, will never recognize that there is a problem (believing their own stories so whole heartedly that, even when they are shown the truth, they have justifications ready to reinforce the story when it is shattered).
There is NO one true way. A correct and original way are not the same thing and what is correct for one person is not necessarily correct for another.
There is NO pure way, each walks the path in their own way, this is why variations pop up, sometimes from the Teacher, sometimes from insight, but no one EVER does things EXACTLY as their Teachers have done, it is simply not possible.
One can usually tell when someone else is a part of something like this, they make claims, they argue against someone else's claims with their own claims, but they seldom actually back up those claims, simply saying things like, 'If only you knew who I knew.'
Basically a cop-out, but they reinforce their own story in their heads this way and do not elaborate further.
My advice? Stay away from groups like this and, if your curiosity gets the better of you, keep a reasonable mind about your shoulders, remain a true skeptic, take what is useful and remain honest about the rest, do NOT give your mind and heart over to these people.
Often they speak very well, they have stories they share, most of which are embellished, but in the end, none of them really have any idea what they are talking about and, when one looks more closely at the information they provide they will find gaping holes... Heed these red flags.
Stay safe in your practice. The best self defense is simply having common sense.
Friday, September 28, 2018
False Harmony.
I am a blunt person, but I am an honest person.
I will tell it exactly how I see it, and yes, sometimes I am a bit of an asshole, but the truth is that I am this way because I care too deeply to just let things go by with any amount of sugar coating.
To cut through all the nonsense is simply a way of remaining true, keeping things simple, and keeping things practical.
Nothing needs to be so overly complex or convoluted and complaining only means that our energy, our focus, is not directed where it should be.
Budo training shows us exactly how to cut through all the nonsense in our day to day lives; how to zero in on the solutions within ourselves and start implimenting what needs to be implimented.
False harmony and paying lip service have no place here, just as half-assed focus and technique have no place on the Dojo Floor.
The answers cannot be found on the floor if one is not fully present on the floor, just the same with life.
Do we complain over and over when we are not quite getting something? A new Kata? A new technique? Or do we simply question and work at it until we start to get it?
If people were to tell you what you want to hear in the Dojo then no progress could be made, again, just the same with life.
Conflict and difficulty, viewed from the correct context, are our true Teachers; they are the road to true harmony, to true strength of spirit.
This is NOT just philosophy. This is the sort of thing that shapes great people who, in turn, shape the world.
I will tell it exactly how I see it, and yes, sometimes I am a bit of an asshole, but the truth is that I am this way because I care too deeply to just let things go by with any amount of sugar coating.
To cut through all the nonsense is simply a way of remaining true, keeping things simple, and keeping things practical.
Nothing needs to be so overly complex or convoluted and complaining only means that our energy, our focus, is not directed where it should be.
Budo training shows us exactly how to cut through all the nonsense in our day to day lives; how to zero in on the solutions within ourselves and start implimenting what needs to be implimented.
False harmony and paying lip service have no place here, just as half-assed focus and technique have no place on the Dojo Floor.
The answers cannot be found on the floor if one is not fully present on the floor, just the same with life.
Do we complain over and over when we are not quite getting something? A new Kata? A new technique? Or do we simply question and work at it until we start to get it?
If people were to tell you what you want to hear in the Dojo then no progress could be made, again, just the same with life.
Conflict and difficulty, viewed from the correct context, are our true Teachers; they are the road to true harmony, to true strength of spirit.
This is NOT just philosophy. This is the sort of thing that shapes great people who, in turn, shape the world.
Sunday, September 23, 2018
The Answers Are On The Floor.
Shihan John Roseberry is someone I, personally, will never forget, indeed, whom has been in my thoughts even before the news of his passing yesterday.
I am truly grateful to have known this man and even further grateful to have had the opportunity to share the floor with him one last time this passed June at the Sho Rei Shobu Kan National Convention in Lincoln Nebraska, at the Dojo he founded, the original Hombu Dojo of the Organization prior to his moving it to Virginia.
New faces, old faces, a long time coming home, and we were all there for one reason, to see Shihan, even though he practically put us through torture while sitting down, his voice barely above a whisper as he gave directions.
Many would say that Shihan was less concerned with the business side of running an Organization and more concerned with simply Teaching and helping people.
One student at the LMAC had been showing up to class every single day, all classes offered, for many many years, the direct result of Shihan Roseberry's influence.
Shihan had brought this guy in off the street, an older gentleman with a developmental disability, and invited him to train, the man loved it so much that he continued to just show up, even though he would not be able to learn a lot of the aspects, he is now a Brown Belt in the Organization, having been promoted this last summer during Convention, much to his own surprise.
Shihan began his training in Karate under Seikichi Toguchi in 1955 while stationed in Okinawa during his time in the United States Marine Corpse.
A friend of Masanobu Shinjo, Dojo Brother of Yoshio Kuba Sensei, and Teacher of many many other people, one of the first to bring Karate to America at a time when Karate itself was not so well known.
A Champion Boxer, Alternate of the 1964 US Olympic Judo Team, Student of the Blues Guitar, Motorcycle Enthusiast, among many other things, one could not possibly box this guy into a single category, but it all goes back to simply being who he was and helping others to become, more fully, who they were meant to be.
A man of such influence, one would expect to find him plastered all over the internet, but that is the beauty of it.
While many out there have their faces all over the internet in promotion of their various Organizations, Seminars, Videos, ect., one would be hard pressed to find anything on Shihan, other than a few blurbs here and there, but if you ask people like Yoshio Kuba Sensei, or Kris Wilder Sensei, you will clearly see just how far reaching the influence of this man was.
You will not find his Kata on Youtube, you will not find videos extolling his ideas or theories, he had nothing to prove to anyone and did not really care who accepted his ideas, because he knew their value and he knew they would get to the right people at the right time to help those people.
I was one of those people. I first met Shihan Roseberry when I was eleven years old at the Dojo of my Teacher, Michael Dascenzo, the original Senior Student of Shihan Roseberry, and participated in a seminar put on by Shihan Roseberry during that visit.
Another occasion I was traveling with the Olympic Martial Arts Center's Tournament Team to AAU Nationals in Chicago, I was twelve, and we stopped off in Lincoln where Shihan put us through the ringers at his Research Center before we all broke from training to go swim at a Pool where he worked as a lifeguard.
That night we all stayed at Shihan's house before breaking back on the road the next day toward Chicago.
Shihan had come up to Washington again and, this time, we were training out of Olympia where I also acted as his Otomo and Uke on the floor.
He threw me from strange positions, twisted me into a pretzel many times over, picked apart each of my Kata, really pushed me on so many different levels, I came out of it with a better understanding of myself, especially considering I was extremely physically ill through the whole ordeal.
That seminar was more wide ranging, considering we also had Aikidoka in attendance. One would think he would focus on Karate and Aikido, nope, he went into some old school Japanese Jujitsu training.
The man was full of surprises, yet very humble in his approach to everything. I do not feel that one could do him justice by simply classifying him as a Karateka, a Judoka, an Aikidoka, or anything of the like.
He practiced EVERYTHING with the same fervor he had for Budo as a whole, absolutely everything, it was all to be done with full attention, it was all important, every single moment of life was worth living, from the trivial to the important, as nothing was trivial and nothing was more important than anything else.
This is what I have taken away from my encounter with this man, directly, and through his Student Michael Dascenzo.
In coming months it will be interesting to see where things go, I hope that people can hold it together and others can leave their egos aside or keep their mouths shut, but ultimately that has nothing to do with me or my own training, I will simply follow Shihan's constant advice and find the answers on the floor.
I am truly grateful to have known this man and even further grateful to have had the opportunity to share the floor with him one last time this passed June at the Sho Rei Shobu Kan National Convention in Lincoln Nebraska, at the Dojo he founded, the original Hombu Dojo of the Organization prior to his moving it to Virginia.
New faces, old faces, a long time coming home, and we were all there for one reason, to see Shihan, even though he practically put us through torture while sitting down, his voice barely above a whisper as he gave directions.
Many would say that Shihan was less concerned with the business side of running an Organization and more concerned with simply Teaching and helping people.
One student at the LMAC had been showing up to class every single day, all classes offered, for many many years, the direct result of Shihan Roseberry's influence.
Shihan had brought this guy in off the street, an older gentleman with a developmental disability, and invited him to train, the man loved it so much that he continued to just show up, even though he would not be able to learn a lot of the aspects, he is now a Brown Belt in the Organization, having been promoted this last summer during Convention, much to his own surprise.
Shihan began his training in Karate under Seikichi Toguchi in 1955 while stationed in Okinawa during his time in the United States Marine Corpse.
A friend of Masanobu Shinjo, Dojo Brother of Yoshio Kuba Sensei, and Teacher of many many other people, one of the first to bring Karate to America at a time when Karate itself was not so well known.
A Champion Boxer, Alternate of the 1964 US Olympic Judo Team, Student of the Blues Guitar, Motorcycle Enthusiast, among many other things, one could not possibly box this guy into a single category, but it all goes back to simply being who he was and helping others to become, more fully, who they were meant to be.
A man of such influence, one would expect to find him plastered all over the internet, but that is the beauty of it.
While many out there have their faces all over the internet in promotion of their various Organizations, Seminars, Videos, ect., one would be hard pressed to find anything on Shihan, other than a few blurbs here and there, but if you ask people like Yoshio Kuba Sensei, or Kris Wilder Sensei, you will clearly see just how far reaching the influence of this man was.
You will not find his Kata on Youtube, you will not find videos extolling his ideas or theories, he had nothing to prove to anyone and did not really care who accepted his ideas, because he knew their value and he knew they would get to the right people at the right time to help those people.
I was one of those people. I first met Shihan Roseberry when I was eleven years old at the Dojo of my Teacher, Michael Dascenzo, the original Senior Student of Shihan Roseberry, and participated in a seminar put on by Shihan Roseberry during that visit.
Another occasion I was traveling with the Olympic Martial Arts Center's Tournament Team to AAU Nationals in Chicago, I was twelve, and we stopped off in Lincoln where Shihan put us through the ringers at his Research Center before we all broke from training to go swim at a Pool where he worked as a lifeguard.
That night we all stayed at Shihan's house before breaking back on the road the next day toward Chicago.
Shihan had come up to Washington again and, this time, we were training out of Olympia where I also acted as his Otomo and Uke on the floor.
He threw me from strange positions, twisted me into a pretzel many times over, picked apart each of my Kata, really pushed me on so many different levels, I came out of it with a better understanding of myself, especially considering I was extremely physically ill through the whole ordeal.
That seminar was more wide ranging, considering we also had Aikidoka in attendance. One would think he would focus on Karate and Aikido, nope, he went into some old school Japanese Jujitsu training.
The man was full of surprises, yet very humble in his approach to everything. I do not feel that one could do him justice by simply classifying him as a Karateka, a Judoka, an Aikidoka, or anything of the like.
He practiced EVERYTHING with the same fervor he had for Budo as a whole, absolutely everything, it was all to be done with full attention, it was all important, every single moment of life was worth living, from the trivial to the important, as nothing was trivial and nothing was more important than anything else.
This is what I have taken away from my encounter with this man, directly, and through his Student Michael Dascenzo.
In coming months it will be interesting to see where things go, I hope that people can hold it together and others can leave their egos aside or keep their mouths shut, but ultimately that has nothing to do with me or my own training, I will simply follow Shihan's constant advice and find the answers on the floor.
Legacies in New Moments.
Class this last Friday was focused solely on breaking down Jodan Uke and applying it in a more functional manner, with focus specifically on the 'off' hand as it moved through the center line.
This was done partially in the vein of a recent visit I made, in June, to the Lincoln Martial Arts Center for the Sho Rei Shobu Kan's Convention put on by my Teacher's Teacher, Shihan John Roseberry.
He took a Kata he created, Gakusei No Kata, and broke it down into sparring drills that we worked for eight hours, from beginning, to end, which really shed some light onto not only the applications there-in, but approaching application of Kata in general.
I had worked a twelve hour shift off of Graves, from Midnight to Noon, and had stuff to do throughout the day, so I had finally laid down for bed when my phone went off asking what time Karate Class was, since it was Friday.
My body said, 'No class today,' but a voice in my head said, 'You have to get up and work with these kids,' so I told the person that Class would be around six o'clock and took about an hour nap, then went to teach.
Class started off with a grueling warm-up, myself and my students performed what I call 'frog sprints' and a quickened 'lizard walk' both of which contain elements of various other exercises meant to work multiple muscle groups at the same time, with a focus specifically on the core.
Some kids were having a hard time with it, some were getting it, but still missing elements, so we took some time to go over proper form and the reason for proper form in all things, which lead to the next focus of class, Jodan Uke.
We started off just standing in Sanchin Dachi performing Jodan Uke, then moved into partner work with specific focus on Ude Uke to the center line as one partner quickly reached out with open hands to tag the defender in the center of the chest, or the head, targeting was random.
Again, the focus was on the reason for proper form and how it feeds the functionality of the technique and, in turn, shows that the target does not matter, the function of the movement is the same.
We ended with the last portion of Jodan Uke turning into a strike after the initial Ude Uke, with a pull in to Chamber and a forearm strike/hammerfist follow-through to the head.
After this more about form and function were stressed as we moved in to closing. The classes are not specifically formal, I simply have them sit and focus on a spot on the ground, then we have a Q and A session and class is over.
I went home and crashed hard, slept for a few hours, then woke up feeling rested, but a different kind of rested, something had changed.
I went back to sleep again after spending some time with my kids, then woke up to the news that Shihan John Roseberry had passed.
It was not really a surprise, I somehow knew, but regardless, it hit many, including myself, pretty hard.
The above is to illustrate the legacy that Shihan left behind, this is how we honor his memory, this is how we continue his legacy.
Who is senior? Who is his successor? These things really don't matter because we are all successors to aspects of what he taught and THIS is how we move forward, by not getting caught up in our own sadness, by continuing as we always have.
Ultimately death is a natural part of life and is not something to be viewed in a negative light, it is something to be celebrated and welcomed, to be accepted for what it is.
Shihan is not gone, he has just entered the next phase of his journey.
Keep finding answers on the floor. Until we all meet again.
This was done partially in the vein of a recent visit I made, in June, to the Lincoln Martial Arts Center for the Sho Rei Shobu Kan's Convention put on by my Teacher's Teacher, Shihan John Roseberry.
He took a Kata he created, Gakusei No Kata, and broke it down into sparring drills that we worked for eight hours, from beginning, to end, which really shed some light onto not only the applications there-in, but approaching application of Kata in general.
I had worked a twelve hour shift off of Graves, from Midnight to Noon, and had stuff to do throughout the day, so I had finally laid down for bed when my phone went off asking what time Karate Class was, since it was Friday.
My body said, 'No class today,' but a voice in my head said, 'You have to get up and work with these kids,' so I told the person that Class would be around six o'clock and took about an hour nap, then went to teach.
Class started off with a grueling warm-up, myself and my students performed what I call 'frog sprints' and a quickened 'lizard walk' both of which contain elements of various other exercises meant to work multiple muscle groups at the same time, with a focus specifically on the core.
Some kids were having a hard time with it, some were getting it, but still missing elements, so we took some time to go over proper form and the reason for proper form in all things, which lead to the next focus of class, Jodan Uke.
We started off just standing in Sanchin Dachi performing Jodan Uke, then moved into partner work with specific focus on Ude Uke to the center line as one partner quickly reached out with open hands to tag the defender in the center of the chest, or the head, targeting was random.
Again, the focus was on the reason for proper form and how it feeds the functionality of the technique and, in turn, shows that the target does not matter, the function of the movement is the same.
We ended with the last portion of Jodan Uke turning into a strike after the initial Ude Uke, with a pull in to Chamber and a forearm strike/hammerfist follow-through to the head.
After this more about form and function were stressed as we moved in to closing. The classes are not specifically formal, I simply have them sit and focus on a spot on the ground, then we have a Q and A session and class is over.
I went home and crashed hard, slept for a few hours, then woke up feeling rested, but a different kind of rested, something had changed.
I went back to sleep again after spending some time with my kids, then woke up to the news that Shihan John Roseberry had passed.
It was not really a surprise, I somehow knew, but regardless, it hit many, including myself, pretty hard.
The above is to illustrate the legacy that Shihan left behind, this is how we honor his memory, this is how we continue his legacy.
Who is senior? Who is his successor? These things really don't matter because we are all successors to aspects of what he taught and THIS is how we move forward, by not getting caught up in our own sadness, by continuing as we always have.
Ultimately death is a natural part of life and is not something to be viewed in a negative light, it is something to be celebrated and welcomed, to be accepted for what it is.
Shihan is not gone, he has just entered the next phase of his journey.
Keep finding answers on the floor. Until we all meet again.
Saturday, August 18, 2018
Closed Door Traditions vs Mainstream Karate.
Over the years I have found myself wondering about the true history, form, and nature of Karate as a whole.
We have the mainstream history that most schools espouse, unique to their own respective 'lineages,' but often these histories are called into question and there remains quite a bit that has been left out (like all the Political nonsense, the bickering, the backstabbing for personal gain that has gone on behind the scenes that many like to pretend never happened and still does not happen).
I was recently introduced to a term I had never heard before in a Group discussing Ryukyu Martial Arts; it was termed as Tijiichakaya or Tigaya, something that does not show up on Google Searches or anywhere else, which automatically calls it into question, but the person who used the term referred to it as a group of people who 'shaped the history of Ryukyu Martial Arts in a very specific and purposeful way.'
Yeah, it seems a bit on the side of conspiracy theory, like a small group of people who have a hand in developing mainstream things as they see fit while keeping the truth/real stuff hidden within the confines of a small group of people.
The person that used the term stated they are a group of four people on Okinawa and, while they do teach a number of people, they only pass on the complete teaching to one successor each, per their tradition.
It was an interesting topic of discussion, but coming from only one source I still have not been able to verify it beyond that, which I find interesting because NO ONE seems to have shared anything on it that is showing up ANYWHERE other than from this one individual.
I am not going to dismiss it outright, if it can be verified, great, if not, then it is no big deal, but the mere fact that SOMEONE has stated something like this just goes to show how much of history can be called into question; history is subjective, often written by the victors... What he have is hardly the whole story.
In the same topic of discussion I had called into question the very idea of Karate as originally Ryukyuan.
My reasoning for this was simple; by the time Karate, as we know it today, was developed it was already the 20th Century and the former Ryukyu Kingdom was now Okinawa Prefecture, a part of Japan, it was in the process of assimilating to Japanese society and culture, with the majority of Okinawan Martial Arts Teachers onboard.
Miyagi himself went to great lengths to solidify his brand of Karate with the Japanese Governing Body of Martial Arts, even going so far as to expressing his piety towards the Japanese Emperor by saying only the Emperor could award a Black Belt or Dan Ranking to anyone.
(Which calls into question where his own students actually got their Black Belts and authority to award Black Belts to anyone since they did not receive this from their own Teacher).
The underlying point was that Karate, once Ti, or Tou Di, was an Uchinaaguchi expression for 'China Hand' or something akin to that, and became 'Empty Hand' with a predominantly Japanese pronunciation.
We learn Karate using Japanese terminology, whether you are on Mainland Japan, Okinawa, or anywhere else in the world, it is primarily Japanese in its' expression, from the terminology, to the uniforms, to the ranking system, to the very structure of the classes (albeit classes in some schools on Okinawa are less structured).
This point lead me to question whether or not the practice of Kata was actually originally part of the Ryukyuan Martial Arts at all and not just a more modern addition to it using a Japanese concept.
Forms were, and are, certainly part of Chinese Martial Arts, and they were, perhaps, a part of Ryukyuan Martial Arts (we will possibly never know), but not really to the point of having them as anything more than a training aid.
The very word 'Kata' is Japanese, and I have yet to find anything similar in Uchinaaguchi that expresses the same concept, in point of fact what I have discovered about Ryukyuan Culture is that it is not as formal as Japanese Culture... There is an expression I once heard that 'nothing in Okinawa ever starts on time,' which is the exact opposite of Japanese Culture, where everything is about etiquette, timing, propriety... Everything in Japanese Culture seems to be one long ritual pattern, or Kata.
There was a story of Miyagi and two Students visiting a Master of Ti, they asked him to show them his secret of fighting and he obliged by dancing, to which Miyagi's Senior Student attacked the old man and ended up being thrown on his ass.
I am obviously not telling it exactly as it has been told time and again, but the story demonstrates a separate Ryukyuan Martial Art that is outside the mainstream and that is not considered a part of what we now call 'Karate,' something a bit more deeply rooted in the Ryukyuan Culture itself.
The story ends with the trio leaving the old man in disappointment because they did not understand what had just happened, they could not comprehend the secret of the old man's school (which further illustrates a disconnect between their generation and the older generation that was more deeply rooted in the old ways of the culture which their generation was forsaking in the name of assimilation).
This is not to disrespect those that came before, but to look at things with a more critical eye.
One might feel they should dismiss all this outright as nothing, but there are many examples of 'closed door' traditions throughout many cultures of the world, especially in China, Japan, and India.
Even here in the United States, where we have people from many different cultures, there are examples of cultural ties through 'closed door' traditions that only members of said culture, or those with extremely close ties, are privy to.
Good luck ever getting in with these groups, they are extremely guarded and tend only to pass on their ways to their own people.
Just food for thought. I found the following description of 'Kata' in a search I was doing as I was attempting to find an Uchinaaguchi equivalent to 'Kata' as a word and concept;
'Kata (型, 形, or 方 literally: “form”) is a Japanese word describing a form or a way of doing something, and is completely generic in usage. … Kata, in the Western parlance, is a detailed choreographed patterns of movements practised either solo or in pairs. Kata are used in many traditional Japanese arts such as theater forms like kabuki and schools of tea ceremony (chadō), but are most commonly known for the presence in the martial arts. Kata are used by most traditional Japanese and Okinawan martial arts, such as aikidō, iaidō, jōdō, jūdō, jūjutsu, kenjutsu, kendō and karate.'
We have the mainstream history that most schools espouse, unique to their own respective 'lineages,' but often these histories are called into question and there remains quite a bit that has been left out (like all the Political nonsense, the bickering, the backstabbing for personal gain that has gone on behind the scenes that many like to pretend never happened and still does not happen).
I was recently introduced to a term I had never heard before in a Group discussing Ryukyu Martial Arts; it was termed as Tijiichakaya or Tigaya, something that does not show up on Google Searches or anywhere else, which automatically calls it into question, but the person who used the term referred to it as a group of people who 'shaped the history of Ryukyu Martial Arts in a very specific and purposeful way.'
Yeah, it seems a bit on the side of conspiracy theory, like a small group of people who have a hand in developing mainstream things as they see fit while keeping the truth/real stuff hidden within the confines of a small group of people.
The person that used the term stated they are a group of four people on Okinawa and, while they do teach a number of people, they only pass on the complete teaching to one successor each, per their tradition.
It was an interesting topic of discussion, but coming from only one source I still have not been able to verify it beyond that, which I find interesting because NO ONE seems to have shared anything on it that is showing up ANYWHERE other than from this one individual.
I am not going to dismiss it outright, if it can be verified, great, if not, then it is no big deal, but the mere fact that SOMEONE has stated something like this just goes to show how much of history can be called into question; history is subjective, often written by the victors... What he have is hardly the whole story.
In the same topic of discussion I had called into question the very idea of Karate as originally Ryukyuan.
My reasoning for this was simple; by the time Karate, as we know it today, was developed it was already the 20th Century and the former Ryukyu Kingdom was now Okinawa Prefecture, a part of Japan, it was in the process of assimilating to Japanese society and culture, with the majority of Okinawan Martial Arts Teachers onboard.
Miyagi himself went to great lengths to solidify his brand of Karate with the Japanese Governing Body of Martial Arts, even going so far as to expressing his piety towards the Japanese Emperor by saying only the Emperor could award a Black Belt or Dan Ranking to anyone.
(Which calls into question where his own students actually got their Black Belts and authority to award Black Belts to anyone since they did not receive this from their own Teacher).
The underlying point was that Karate, once Ti, or Tou Di, was an Uchinaaguchi expression for 'China Hand' or something akin to that, and became 'Empty Hand' with a predominantly Japanese pronunciation.
We learn Karate using Japanese terminology, whether you are on Mainland Japan, Okinawa, or anywhere else in the world, it is primarily Japanese in its' expression, from the terminology, to the uniforms, to the ranking system, to the very structure of the classes (albeit classes in some schools on Okinawa are less structured).
This point lead me to question whether or not the practice of Kata was actually originally part of the Ryukyuan Martial Arts at all and not just a more modern addition to it using a Japanese concept.
Forms were, and are, certainly part of Chinese Martial Arts, and they were, perhaps, a part of Ryukyuan Martial Arts (we will possibly never know), but not really to the point of having them as anything more than a training aid.
The very word 'Kata' is Japanese, and I have yet to find anything similar in Uchinaaguchi that expresses the same concept, in point of fact what I have discovered about Ryukyuan Culture is that it is not as formal as Japanese Culture... There is an expression I once heard that 'nothing in Okinawa ever starts on time,' which is the exact opposite of Japanese Culture, where everything is about etiquette, timing, propriety... Everything in Japanese Culture seems to be one long ritual pattern, or Kata.
There was a story of Miyagi and two Students visiting a Master of Ti, they asked him to show them his secret of fighting and he obliged by dancing, to which Miyagi's Senior Student attacked the old man and ended up being thrown on his ass.
I am obviously not telling it exactly as it has been told time and again, but the story demonstrates a separate Ryukyuan Martial Art that is outside the mainstream and that is not considered a part of what we now call 'Karate,' something a bit more deeply rooted in the Ryukyuan Culture itself.
The story ends with the trio leaving the old man in disappointment because they did not understand what had just happened, they could not comprehend the secret of the old man's school (which further illustrates a disconnect between their generation and the older generation that was more deeply rooted in the old ways of the culture which their generation was forsaking in the name of assimilation).
This is not to disrespect those that came before, but to look at things with a more critical eye.
One might feel they should dismiss all this outright as nothing, but there are many examples of 'closed door' traditions throughout many cultures of the world, especially in China, Japan, and India.
Even here in the United States, where we have people from many different cultures, there are examples of cultural ties through 'closed door' traditions that only members of said culture, or those with extremely close ties, are privy to.
Good luck ever getting in with these groups, they are extremely guarded and tend only to pass on their ways to their own people.
Just food for thought. I found the following description of 'Kata' in a search I was doing as I was attempting to find an Uchinaaguchi equivalent to 'Kata' as a word and concept;
'Kata (型, 形, or 方 literally: “form”) is a Japanese word describing a form or a way of doing something, and is completely generic in usage. … Kata, in the Western parlance, is a detailed choreographed patterns of movements practised either solo or in pairs. Kata are used in many traditional Japanese arts such as theater forms like kabuki and schools of tea ceremony (chadō), but are most commonly known for the presence in the martial arts. Kata are used by most traditional Japanese and Okinawan martial arts, such as aikidō, iaidō, jōdō, jūdō, jūjutsu, kenjutsu, kendō and karate.'
Wednesday, August 15, 2018
Politics.
Today was a very frustrating day as far as Karate is concerned; I seriously thought about throwing my hands up and just walking away.
From questionable words to questionable actions along with a hand dragging me into something that had absolutely nothing to do with me... This is why Organizations piss me off, although it is not even the Organization, but one individual within the Organization that seems to like to make waves.
Is it the Organization Head? That is what they would have me believe, but the Organization itself seems to be ran by the Senior Black Belts, so maybe only partly the Organization Head?
Who is REALLY to blame? I honestly don't know and, personally, don't care... This is Kuchi Waza in full swing and has no place on the floor or in the heart of one truly practicing Karate.
It does not matter if someone says they will take care of something, volunteering their time and energy, then failing, just so the bragging rights can be claimed.
It is easy to tell who has put in the time and who has not, whole heartedly, has their Kata and Kihon EVER been on point? Not from what I have seen.
If the only concern is business, representing a corporation within and aside from the Organization, and one is very good at spinning stories so as to awe others into believing their own hype, they are not practicing Budo.
They would have others believe they are more experienced on the floor than they actually are when their efforts have actually been focused elsewhere... As though a business venture... What do they have to offer other than to say, 'look at me!?'
Is it even that big a deal? Do they even need to drag others into it? Could it have been handled directly with the other party with a little patience?
Getting frustrated over lack of response after only two back to back communications, when it was proven a phone call was all that was necessary, shows a lack of self control and severe character flaws.
Was the point to exercise perceived authority after positioning oneself in a place of influence, yet having done very little of the work on the floor itself?
It is a shameful thing to behold when things are revealed for what they truly are, but they are what they are and that is the way of it.
Ultimately none of that matters, the true testament is on the floor, in the training, and this comes out in our actions, thoughts, and words as we improve upon ourselves daily.
No one is perfect by any means, we all make mistakes and miss the mark... Others just seem to have gotten the wrong idea entirely.
Namaste.
From questionable words to questionable actions along with a hand dragging me into something that had absolutely nothing to do with me... This is why Organizations piss me off, although it is not even the Organization, but one individual within the Organization that seems to like to make waves.
Is it the Organization Head? That is what they would have me believe, but the Organization itself seems to be ran by the Senior Black Belts, so maybe only partly the Organization Head?
Who is REALLY to blame? I honestly don't know and, personally, don't care... This is Kuchi Waza in full swing and has no place on the floor or in the heart of one truly practicing Karate.
It does not matter if someone says they will take care of something, volunteering their time and energy, then failing, just so the bragging rights can be claimed.
It is easy to tell who has put in the time and who has not, whole heartedly, has their Kata and Kihon EVER been on point? Not from what I have seen.
If the only concern is business, representing a corporation within and aside from the Organization, and one is very good at spinning stories so as to awe others into believing their own hype, they are not practicing Budo.
They would have others believe they are more experienced on the floor than they actually are when their efforts have actually been focused elsewhere... As though a business venture... What do they have to offer other than to say, 'look at me!?'
Is it even that big a deal? Do they even need to drag others into it? Could it have been handled directly with the other party with a little patience?
Getting frustrated over lack of response after only two back to back communications, when it was proven a phone call was all that was necessary, shows a lack of self control and severe character flaws.
Was the point to exercise perceived authority after positioning oneself in a place of influence, yet having done very little of the work on the floor itself?
It is a shameful thing to behold when things are revealed for what they truly are, but they are what they are and that is the way of it.
Ultimately none of that matters, the true testament is on the floor, in the training, and this comes out in our actions, thoughts, and words as we improve upon ourselves daily.
No one is perfect by any means, we all make mistakes and miss the mark... Others just seem to have gotten the wrong idea entirely.
Namaste.
Monday, February 12, 2018
Fleeting Shadows in Candlelight.
Remembering back to the days at the Evergreen Learning Center, remembering the many talks with my Sensei over cups of coffee in his Kitchen after hours of 'training' when he would teach me everything from Karate to Cooking to Cleaning properly, things seem so different now.
Waking up at 4:00 in the Morning during Zen Intensives, before the sun came up, to go sit and do nothing but count breaths in the Zendo while facing a wall, but really just watching the candle-light flicker about in a dance of shadows in various shapes and ghastly forms, knowing all too well the reality was there was no reality to any of it, but there was an observer.
Insights came and went, honestly not sure these were even the point of anything, as insights go, they are fleeting and they change, nothing really permanent there, just various judgments of a mind that, like the candle, flickers all about, but again, there is an observer.
What does the observer see now, in light of the memories of these various talks and practices? That, perhaps, the candle-light has been mistaken for the observer, that opinion has become fact, and change is seen as the only constant... The observer, in others, has been missed entirely and the more time goes on, the more are carried away in an almost trance-like state, issuing various mantras fed to them from all around, but nothing ever from within, drowning out that true voice with garbled garbage.
Sensei used to say that he hated Politics, that it was not the essence of what we were doing, that this was missing the point, which was to find the True Self within the spirit of what was passed on, to make it your own you had to know who you really were, otherwise you were just blindly falling about a darkened corridor groping for the walls... At least that is what I took away from it.
Shortly thereafter my Sensei retired from Teaching, saying he was moving to the next level of his practice, getting rid of all his Karate stuff, ceasing to Teach, yet maintaining that the Teacher never truly leaves the Student, quitting the Organization was one thing I could understand, but quitting the path entirely? Certainly I did understand moving to the next level or phase of Practice, seeking to focus on Art or whatever else one was pursuing, but as time went on this did not seem to be the case.
Now? A voice is lent to an endless sea of voices shouting from the streets to the rooftops a single mantra of Politics, Cognitive Dissonance, in a Collective Mindset, completely and totally giving way to the Political thoughts of the day... The candle-light flickers to and fro, but everyone thinks the shadows are real, that they hold weight when everything is blown to dust.
Not even Karate or any other pursuit holds that kind of weight... When it all turns to dust, what remains? There is an observer.
Do we allow the world to dictate who we are? What we think? How we feel? Or do we utilize out Practice to rediscover this for ourselves? The spirit of Martial Arts, indeed, of anything meaningful, is in this.
One cannot even begin to develop true Martial Power without first discovering their True Self. Even still, one must remain Mindful, vigilant, lest they, again, forget who they really are and start to fall for what the world tells them to be, what the world tells them to say, what the world tells them to think.
The answers may be found on the Floor, but was was the original question? Do you remember?
Waking up at 4:00 in the Morning during Zen Intensives, before the sun came up, to go sit and do nothing but count breaths in the Zendo while facing a wall, but really just watching the candle-light flicker about in a dance of shadows in various shapes and ghastly forms, knowing all too well the reality was there was no reality to any of it, but there was an observer.
Insights came and went, honestly not sure these were even the point of anything, as insights go, they are fleeting and they change, nothing really permanent there, just various judgments of a mind that, like the candle, flickers all about, but again, there is an observer.
What does the observer see now, in light of the memories of these various talks and practices? That, perhaps, the candle-light has been mistaken for the observer, that opinion has become fact, and change is seen as the only constant... The observer, in others, has been missed entirely and the more time goes on, the more are carried away in an almost trance-like state, issuing various mantras fed to them from all around, but nothing ever from within, drowning out that true voice with garbled garbage.
Sensei used to say that he hated Politics, that it was not the essence of what we were doing, that this was missing the point, which was to find the True Self within the spirit of what was passed on, to make it your own you had to know who you really were, otherwise you were just blindly falling about a darkened corridor groping for the walls... At least that is what I took away from it.
Shortly thereafter my Sensei retired from Teaching, saying he was moving to the next level of his practice, getting rid of all his Karate stuff, ceasing to Teach, yet maintaining that the Teacher never truly leaves the Student, quitting the Organization was one thing I could understand, but quitting the path entirely? Certainly I did understand moving to the next level or phase of Practice, seeking to focus on Art or whatever else one was pursuing, but as time went on this did not seem to be the case.
Now? A voice is lent to an endless sea of voices shouting from the streets to the rooftops a single mantra of Politics, Cognitive Dissonance, in a Collective Mindset, completely and totally giving way to the Political thoughts of the day... The candle-light flickers to and fro, but everyone thinks the shadows are real, that they hold weight when everything is blown to dust.
Not even Karate or any other pursuit holds that kind of weight... When it all turns to dust, what remains? There is an observer.
Do we allow the world to dictate who we are? What we think? How we feel? Or do we utilize out Practice to rediscover this for ourselves? The spirit of Martial Arts, indeed, of anything meaningful, is in this.
One cannot even begin to develop true Martial Power without first discovering their True Self. Even still, one must remain Mindful, vigilant, lest they, again, forget who they really are and start to fall for what the world tells them to be, what the world tells them to say, what the world tells them to think.
The answers may be found on the Floor, but was was the original question? Do you remember?
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