The notion is to get beyond thinking about the shape our bodies take at the end of a movement, which we now call ‘technique,’ but to get at how those principles can function strategically towards an end goal.
The first movement in the Kihongata series is a step into what is called ‘Kamai’ (probably not spelling that correctly) and what many take as a ‘ready position,’ but we have to examine this deeply in order to get at the essence of it without getting too hung up on it.
I would NOT guard my head with only one hand up at chest level and one hand in chamber, so what is going on here?
First, when practicing solo we tend to do things against our own imagination which assumes our own approximate height and weight, so the chest level movement against a larger opponent might adjust to a higher level or even a wider level, within reason as there is a point beyond which the movement loses its’ applicability.
The solo form or the training form is an ideal to teach the principles, not necessarily something to expect. Rather like Tsuburi Training in Kendo.
The movement itself is not just a movement of the arms, but of the whole body in a specific way that encompasses each ‘zone’ as part of the whole.
Stepping out into a crescent shape with the feet while moving the left arm to meet the right in the center, then completing with right arm out in what we call a Chudan Uke. The body itself DOES perform a slight weight drop then rises up into the ‘final’ shape of the first position.
What is the opponent doing? Perhaps an attempted grab or shove? Perhaps an attempted sucker punch? A general idea leads to insight regarding the strategy, but it is not dependent on one specific act of the opponent other than the opponent is moving on you from the front somehow.
Taking this into account we move to implementation:
Closest Weapon/Closest Target coupled with Aggressive Forward Pressure and Clearing.
Attacking the Posture by rotating via leverage or attack on the arm while assuming a flank on the outside by the very rotation implemented.
Couple this with the footwork, stances are NOT static positions, they have a purpose. With aggressive forward motion we, at the same time, lock-up the leg of the opponent as a point of leverage in the overall attack.
Chamber hand is part of the overall movement as well, taking place and near Clinch or Clinch range, it is generally a grab and pull coupled with the motion of the opposite hand - the application of Yin and Yang as complimentary forces.
The success of the first motion is not guaranteed but also not ruled out which is why the Kata continues, the main point is to steal the initiative/steal the opponent’s mind and put them on the defensive, at the very least, but to END the altercation first and foremost.
There are other aspects in the motion that include striking the arm of the opponent with the offhand as it meets the right hand in the middle, which then catches and rotated the opponent, plus a small kick implied in the step for Sanchin Dachi before catching, trapping, and locking... The kick would be the set-up to get the necessary leg, otherwise a legitimate attack as feinting is not an option.
This movement can be examined in even greater depth from various angles that can fill volumes upon volumes of books and that is just one movement.
The movements themselves are only few, and the principles employed are even fewer, as we waddle things down we can see that Martial Arts are really only a few principles applied in varying ways with differing goals.
Take away for me here is;
1) Aggressively Close Distance.
2) Closest Weapon/Closest Target. All Zones.
3) Get to Flank.
4) Disrupt with pain to gain leverage or rotation points.
5) Attack posture.
The main point. Get the other person to defend.
More to come, possibly on this, maybe on the next movement, maybe both with some corrections for myself.
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